Romantic scene carved into a metal, Discovered 100 Years Later:
Archaeologists have found a stunning memento of wartime romance, carved more than 100 years ago by a captive Russian soldier in Poland.
Etched into a canteen found at the site of the World War I prisoner-of-war camp in Czersk is a detailed scene of a man and a lady caught in a loving embrace.
It comes in stark contrast to the gruesome first-hand accounts of life at the POW camp, where hunger, forced labor, and infectious disease were wide spread.
Specialists say so-called trench art like this often captured life’s sentimental moments even in the midst of hardship, reflecting the ‘personal stories, feelings, and fears’ of soldiers during the war.
The stunning WWI-era carving found in 2006 features a man and woman both thought to be wearing expensive clothing, writes researcher Dawid Kobiałka in a new paper published to the journal Antiquity.
Despite the fact that it might have been carved into a standard-issue soldiers’ canteen, it’s no crude drawing; according to the expert, the details show several different carving technique was employed to create the romantic scene in aluminum.
‘The man has big and detailed eyes; the mustache is small but evidently cultivated,’ the author notes.
‘The lady is huddled close to the man. She also is wearing expensive clothing and beautiful robes comprised of several other elements.
‘Her neck is decorated with 3 rows of large beads. She has thick, long hair and, in contrast to her lover, she is barefoot. The pair forms the central part of the scene.’
On the back, an additional carving likely tells the story of the captive Russian soldier who created it. The back of the canteen features a flying bird, along with the date (the latest being 1917) and place of the soldier’s imprisonment, the specialist explains.
And, the letters ‘O’ and ‘R’ are carved prominently into the rear-center – likely the initials of the canteen’s owner.
According to Kobiałka, these details suggest the scene depicted on the front might not just be any idealized lovers.
Instead, it could be ‘the owner of the artifact and his sweetheart.’
‘Many examinations indicate how POWs idealized and sentimentalized their lives before imprisonment,’ the author notes.
The remarkable discovery raises many questions about the unknown artist – or artists.
Differences in the carving techniques seen on the front and back of the canteen suggest the bird Picture may have been added earlier or later by a different soldier.
Regardless, the Analyst says that the carvings would have taken many hours to create.
‘Each incised line can be seen as representing a deep longing for the beloved person,’ Kobiałka says.
Life for those detained in Czersk was by no means easy, and trench art may have given soldiers an outlet to express their hopes and fears.
The romantic carving comes in stark contrast to the gruesome first-hand accounts of life at the POW camp, where hunger, forced labor, and infectious disease were wide spread. A German propaganda postcard showing the camp in Czersk is shown above
Russian and Romanian soldiers held at the camp, along with a small number of French, Italian, Portuguese, and English soldier, were subjected to harsh conditions during its operation spanning the First World War.
And, many never made it out alive.
‘The most evocative and distressing remnants of this dark heritage is the associated POW cemetery,’ according to Kobiałka.
‘This could be considered a cultural and natural forest: a forest of concrete crosses that mark mass grave, between which have grown pines and birches.
‘Due to merciless treatment by the guards, insufficient rations, infectious diseases, and forced labor, 1000’s of prisoners never left the camp.’
It was eventually shut down a few weeks after Armistice Day (November 11, 1918) – but, the fate of the canteen artist remains unknown.