- Portraits in Pompeii show how the Romans were influenced by ancient Egypt
- Intricate paintings from Casa dell’Efebo depict scenes from the River Nile.
- Archaeologist Caitlin Barrett says the paintings could be political and social
- She says they could show the Romans were interested in Nilotic Gods and life
A garden of a large ancient villa in Pompeii that was home to stunning paintings depicting the River Nile could hold secrets on how the early Roman Empire was affected by ancient Egypt.
Intricate designs from Casa dell’Efebo, which was one of the biggest homes in the city before it was most of the part demolished when Mount Vesuvius erupted in AD 79, show a series of Nilotic murals with crocodiles, hippopotamuses, lotuses and short statured men fighting with wild beasts.
Caitlin Barrett from the department of Classics at Cornell University said the drawings give the house a more cosmopolitan feel and outline how the Romans took a strong interest in antiquated Egyptian culture such as religion.
Barrett told the IBTUK: ‘The paintings from the Casa dell’Efebo were created after Egypt was incorporated into the Roman Empire, however several generations after Augustus’ initial conquest of Egypt.
‘Some specialists have turned to explanations emphasising religion: maybe paintings of Egyptian landscapes have to do with an interest in Egyptian gods.
‘Others have interpreted these paintings as political statements: maybe this is about celebrating the conquest of Egypt.
I recommend that instead of trying to apply a one-size-fits-all explanation, we should look at context and individual choices.’
While portrayals of sexual activity, music and alcohol consumption are often central to these paintings
The research was complied in the American Journal of Archaeology and also asserts that artifacts found around the garden of the house and the structure’s elaborate architecture such as water installations mimics the diverse nature of the Romans Empire.
Barrett continued: ‘In this particular assemblage, rather than solely trying to make some kind of statement about Isiac customs or Roman politics, the owner of this house seems to be asserting a cosmopolitan identity as a citizen of the Empire.
‘In Pompeian houses at this time, when individuals are representing faraway lands in domestic art, they are also trying to figure out what it means to them to be participants in the Roman Empire.’
The examination says the paintings of the Nile in the Pompeian house provided the inhabitants with an opportunity to engage with shifting local and imperial Roman identities and to recreate a microcosm of the world they lived in.
‘People sometimes imagine phenomena like globalisation to be creations of the modern world. Actually, if you look at the Roman Empire there are lots of parallels for some of the cross cultural interactions that are also very much part of our own contemporary world’, the researcher concluded.